The End of the Stories

  • 35*35*9 cm
  • Porcelain
  • Fired at high temperature
  • Dehua China
  • 2012
  • The End of the Stories

  • 35*35*9 cm
  • Porcelain
  • Fired at high temperature
  • Dehua China
  • 2012
  • The End of the Stories

  • 35*35*9 cm
  • Porcelain
  • Fired at high temperature
  • Dehua China
  • 2012
  • Circle Cycle

  • 35*35*15 cm
  • Porcelain
  • Fired at high temperature
  • Jingdezhen China
  • Collected by Tsinghua University Museum as permanent collection
  • 2010
  • Mani Stones

  • 200*200*30cm
  • Stoneware
  • Fired at high temperature
  • Beijing China
  • 2009
  • Chinese Calligraphy

  • Dimensions vary
  • Cardboard, Ink and Chinese calligraphy paper
  • Boston USA
  • 2013
  • Dou-Gong

  • 100*100*80cm
  • Terracotta
  • Fired at high temperature
  • Boston USA
  • 2012
  • Paper Folding

  • Dimensions vary
  • Porcelain
  • Jingdezhen China
  • 2011
  • Latest works

    “The Tibetan landscape is filled with mani stones, flat rocks with the mantra of compassion, Om Mani Padme Hum.” – Prisoners of Shangri-La: Tibetan Buddhism and the West (1999).

    “Every breath we take, and every drop we drink, depends on a healthy ocean. Now, their life depends on us.” – Oceans (2010)

    “The difference between the number of mountain and valley creases in a flat vertex fold is always two.” – Maekawa’s Theorem

    “The bracket components resting on any one column and supporting any one beam may be multiplied almost endlessly…” – Chinese Architecture (2002)